ChinaNav is kept like a portrait room with one piece of masonry: charcoal walls in gold and wine lamplight, and standing in the corner beside the desk one tall square stone gatepost — a single upright post of pale stone with a plain rounded cap, its broad faces smooth and completely blank, with no carved characters, no numbers, no symbols, no hinge marks and no lettering of any kind anywhere on the stone. The gatepost in the name is that post and nothing more: the picture language of this room is a set kept within one steady frame of work, the way a set is kept here — one character, described once on her gatepost card, and worked from that card at every step. No gate is hung, no road is opened and no traveller is passed through at this address in any other sense; the post is furniture for portraits, and it admits no one anywhere. Register one fictional adult character, write her gatepost card once, and every tool in the room — stills, video, edits, swaps, finishing — works from that same card, in the same order at every step. Costs are quoted before a job runs, results rest private in your account until you release them, and a failed job refunds itself. No anonymous use, no mystery pricing: a blank stone post, a card, and a clear price sheet.
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Most studios make you re-describe your character at every tool and then wonder why she changes. ChinaNav keeps one gatepost card on the desk beside the stone post and passes it down the line, handled the same way every time. The Gatepost card beside each tool states its input, output and price before you commit a single credit, and credits themselves are studio credit only, with no cash value and no way to exchange or redeem them. The blank-faced gatepost is the picture language of this room and nothing more: plain stone, kept for portraits.
Text-to-image for fictional adult characters. Write her gatepost card once and hold every later job to it.
In MotionText-to-video and image-to-video. Give a proven still one clear movement, quoted by duration and resolution first.
Guarded · TransformConsented transformations of your own photographs and your own generated characters. No one else’s material, ever.
RepairsOne precise change at a time — wardrobe, setting, light — for frames that miss by a single detail.
Hold the FaceCarry her face onto new stills, so a whole set still reads as one and the same woman.
FinishingFinished clips brought up to the size their destination requires. Finishing is the last stop, never the first.
Age, hair, build, face and one signature detail, in fixed lines you paste rather than retype. A card rewritten from memory drifts; a card pasted word for word holds.
Stills first, then motion, repairs and finishing — each job shows its exact credit cost before you confirm it, and each result is judged against the card before it is kept.
Everything rests private in your account. Upscale and publish only what earned it; the gallery shows only what makers deliberately put there.
The gallery shows only the frames and clips their makers chose to put on display. The house default is private; appearing here is always a deliberate decision by the person who made the piece, never an accident of the system.
Registration is free, and the daily check-in covers one standard picture a day. When the workload outgrows that pace, one-time credit packs wait at the pricing page — no subscription, no silent renewals.
Start in the gatepost roomProduction notes on character consistency, prompt systems and delivery specs.
An upscaler raises resolution, not fidelity. Judge motion against the record, at the joins, before finishing money is spent.
Feelings are generous after an hour of generating. Five checks you can run in under a minute, and the threshold a frame…
A character stays herself because her gatepost card never changes. The five fixed lines, the version habit, and what to check when…
Your image is deleted after generation.
Browse filesFailed jobs are refunded automatically. Results land in My Collection.
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